http://blog.s106.com/2009/10/21/35mm-test-footage/ A blog covering my experiences working as a director on S106 projects. And my work with the HPX300 and P+S Technik Mini35 combination. This is where I will post my day to day life, my experiences and other work related stuff. Erhm… I guess mostly work related stuff. Sat, 05 Jun 2010 15:56:31 +0000 hourly 1 http://wordpress.org/?v=3.0 http://blog.s106.com/2009/10/21/35mm-test-footage/comment-page-1/#comment-73 Celso Sat, 05 Jun 2010 15:56:31 +0000 http://blog.s106.com/?p=193#comment-73 Hello there. I'm planning to buy a 370 and want to make a combo just like this one of yours. What brands and equipment are attached to the body of the camera. Thank you very much, the tests look impresive! Hello there. I’m planning to buy a 370 and want to make a combo just like this one of yours. What brands and equipment are attached to the body of the camera. Thank you very much, the tests look impresive!

]]> http://blog.s106.com/2009/10/21/35mm-test-footage/comment-page-1/#comment-38 Ron Griffin Mon, 11 Jan 2010 17:27:29 +0000 http://blog.s106.com/?p=193#comment-38 I just purchased a HPX300 instead of the PMW350. I am going to use the Letus 1/3" relay with the Ultimate adapter. I am curious to see what i get with fast primes. I am going to cut this camera with shots from a Canon 7d. Hopefully it will all work out well. I did "labor" over which camera to get, but the PMW350 (body ony) was as much as a RED One, and I would have to still get a Nanoflash or AJA Ki Pro to get around that pesky codec. If I am going to pay $17500 for a camera body then I am going to get a RED. Full frame 35mm is much better than 2/3" and with RED's new sensor it will get just as good low light performance as Sony's chip. I just purchased a HPX300 instead of the PMW350. I am going to use the Letus 1/3″ relay with the Ultimate adapter. I am curious to see what i get with fast primes. I am going to cut this camera with shots from a Canon 7d. Hopefully it will all work out well. I did “labor” over which camera to get, but the PMW350 (body ony) was as much as a RED One, and I would have to still get a Nanoflash or AJA Ki Pro to get around that pesky codec. If I am going to pay $17500 for a camera body then I am going to get a RED. Full frame 35mm is much better than 2/3″ and with RED’s new sensor it will get just as good low light performance as Sony’s chip.

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